Ah, to be back catching waves at SurfRhythm. It’s been a minute!
For those of you who might not remember me, my name is Henry Pazaryna, and I wrote for SR this past summer. After experiencing one of the single most fun, and sadly last, summer of rock and roll adventures before graduation, I took some time to focus on school and my own music this past semester. But as many of you know, when the waves are calling, you have to answer. And a very friendly wave happened to reach out to me.
That wave was none other than Charles Kavoossi, a Local Waves featured artist from this past summer, and good friend of mine. Charles asked me to review his first album and it sure was a treat to do so. Recorded in Baltimore and featuring a number of talented musicians from other local groups, Charles put together a quality piece of work that can be enjoyed by people of any walk of life. The album, “Repent to Karma” by Charles Kavoossi, makes for one of the most solid pieces of work from a local artist that I have heard in a while. From the different styles to the range of musical motion, this album captures a variety of sounds at both a high level of writing and performance. While many reviewers that I read in magazines are very quick to give works of art a numerical score, I do not plan on doing that myself. I think it is somewhat disingenuous and it ruins the subjectivity of art as a whole. Because of that, I want to use a more black and white style review to make things simple, and give it a favorable grade.
While I listened to this album, I felt confused on how I would label it. Is this folk music? Alternative? Rock? Or something else? After a bit of thinking, I believe that this album is neither and all of them at the same time. It is just plain good. Despite the indie or alternative label one could easily give to this music, I believe that “Beatle-esque” might be a more appropriate way to describe this album. While I will be the first to admit that my knowledge on modern alternative is not up to par with my peers, there was a simplicity that I not only caught, but genuinely enjoyed while listening to the songs. While the complexities of the musical structures exist in Charles’ writing (and are enough to throw any musician trying to strum along for a bit of a loop), everything featured on this album is fun to listen to. My personal favorites include “Blue Eyed Jesus” and “Trip and Fall.” The music, while not only being good and fun to listen to, had very well crafted and high quality audio engineering to go along with it. Thumbs up on every front.
While the pop industrial music machine might be cranking out repeat after boring repeat, local albums just like this really strike a chord with me, and I am sure it would with many other people. Even though the minority of artists that rule the majority of the airwaves don’t take as significant risks with their work, as what was once common, local albums just like these make up for the lack of creativity in the popular scene. When people, myself absolutely included, say “music isn’t creative any more,” they just don’t know where to look. If you are into anything remotely indie, alternative, or just plain music in general, I would highly advise giving this album a listen when it is released later in February.
Congrats Chaz, you did a great job.
2. Out of Time
3. Mannequin Girls
4. Pavlovian Dog
5. Brick to Bone
6. Holes in My Heart
7. Trip and Fall
8. Repent to Karma
9. Blue Eyed Jesus
10. Bad News
Recorded at Mobtown Studios, Baltimore MD
Produced by Aaron Wold and Charles Kavoossi
Engineered by Aaron Wold
Guest musicians include: Davis Rowan (Weather the band) on drums, Evan Chapman (Square Peg Round Hole) on drums, Thom Beall (gingerwolf) on lapsteel, Deirdre McAllister on female vox (Minimus The Poet), Jason Roe on banjo, Abby Becker (Haint Blue) on violin, Max Kuzmyak (Astronaut Jones) on horns, and Aaron Wold (Minimus The Poet) on theremin.