Bumpin Uglies New Album “Keep It Together” drops TODAY! Interview with Brandon Hardesty and VIDEO



If their name is unfamiliar to you, make no mistake, Bumpin Uglies are a band you should now. And there’s no better time to get to know them since their new LP Keep It Together (Right Coast Records) drops today. They’ve toured the nation several times, playing shows wherever they can, while working tirelessly to build up a following. It’s earned them a dedicated throng of fans, and has them poised for their upcoming album release, which is their best effort yet, in my opinion. And I’m not alone in saying so–The Pier also praised the album as Bumpin Uglies best work to dateKeep It Together is out today, Friday September 9th, and it hit the iTunes reggae chart at the #2 position. Get yours on iTunes here. It’s also available via all major digital outlets and streaming services.

I spoke with lead singer/guitarist and song writer Brandon Hardesty about what sets his band and music apart, their work ethic and approach, and the new album.


Bumpin Uglies have been around for more than a little while now, but many people out there still need to discover you guys. For the uninitiated, can you sum up the band and what you guys are about?

As far as genres are concerned, I like to describe the sound as ska/punk/reggae with honest lyrics. As far as what we’re about, there’s no social initiative or grand message behind our music. We’re pretty much just three guys that found our purpose in making music so we’re trying to make that happen in our own way. If you like good music without any bullshit or facade than we’re definitely a band you can get into.


You’ve got a new LP “Keep It Together” coming out September 9 on Right Coast Records. Give us an idea of what’s coming in your words.

The Beatles have always been one of my favorite bands and Abbey Road is definitely my favorite album by them. I love how the B-side flows together like one long song and I always thought it would be cool to try and capture that vibe in our genre. To be clear, I am in no way comparing us to The Beatles, but I do think we did a pretty good job of creating that experience in our own way with the second half of this record.

This album is a bit harder than a lot of our earlier stuff but it’s undeniably the best thing that we’ve put out. The songs are more mature and I think we did a great job capturing what we’re all about as a live band. If you’re a fan of honest songwriting, the energy of ska punk, or the the ethereal vibe of dub reggae, than you will be an instant fan of these recordings.


You come from the thriving little scene centered in Annapolis, MD. How has the area helped shape you guys?

It’s kept us working. A big part of running any business is having steady income and the best way to earn as a band is by playing shows. Annapolis is a gem for working musicians because there are so many bars and small clubs that have bands as entertainment. I waited tables for the better part of a decade to subsidize a very humble lifestyle because we barely made enough money touring to cover the band’s expenses, much less our personal expenses. I was recently able to quit that job because of all the work I’ve been able to find around Annapolis playing acoustic shows while I’m home.


You guys have always followed a DIY path very much your own, and it’s always reminded me in ways of Sublime. Mostly that you write really great songs across a range of styles, but authentically. It’s the range you have, from funny to thoughtful to provocative, that is a signature of Bumpin Uglies. With that, you have visited every corner of this country, winning over fans one-by-one. Why do you think more bands don’t take that approach?

I think its the same reason there aren’t more bands that say ‘fuck it’ and hit the road on their own. Its scary putting yourself out there like that just like its scary really putting yourself out there with your lyrics. There’s themes in every genre of music that have proven to be well received by the audience consuming them. Country has trucks and American pride, rap has hustling and materialism, and reggae has good vibes and weed. It’s easy and safe to stick inside of those associations.


These days, it seems music, much like surfing, has become more accessible to the masses, which may be a good thing, but in both it seems like that gritty, DIY punk ethic that was inherent in both has deteriorated. How do you see the music landscape today, given that you still carry that ethic?

There’s a lot of bullshit. I feel like there’s a whole facet of the industry that’s more concerned with working out and dressing well than writing good songs and rocking a solid live show. It’s unfortunate but we live in a day in age where there are people who are famous for no other reason than because they’re famous, if that makes sense. As a result social media has redefined where a lot of people find value, and bands are not excluded from this phenomenon. There are bands out there that have more press photos than shows played and that’s a very sad reality.

That being said, there’s still a thriving DIY network for bands that are willing to put in the work. Now more than ever I think people appreciate authenticity, but you really gotta be willing to go out and spread the message yourself. That’s why we tour the way that we do and that’s why I’m proud of every accomplishment that we’ve achieved.


I was fortunate to get a sneak peak of your uncut video for “Stop The Fall”, which does a great job of capturing what Bumpin Uglies is all about. Who did you work with on the video?

Our friends at Stage 20 Media shot, edited, and directed the whole thing. We had a great experience working with them and I’d recommend them to anyone in the mid-Atlantic who’s in the market. I’ve always been wary of doing a music video because I was worried about looking like a tool and I think they did a great job in alleviating that fear.


Your live shows have gone to a new level in the last couple of years; the last time I saw you guys play, it was one of the best live performances I’ve seen, hands down. Tell us about evolving the live shows.

Thanks man! Wolfie and I have been playing together for almost 7 years now but it took us a long time to find the right drummer. TJ was the missing link. I’ll be the first to admit that I’m a singer/songwriter first and a musician second, but my rhythm section is second to none. You can’t be a good live band without a good rhythm section and Bumpin Uglies has that in spades. Another part of it is the non-stop touring. When you’re playing 6 nights a week for 6 weeks straight, you’re doing something wrong if you’re not super tight by the end of the tour.

We Were Pirates – “Matter”

WhenWe Were Pirates - Matter We Were Pirates puts out new music it gets me excited for a few different reasons. One is that Mike Boggs, the mastermind of We Were Pirates (WWP), is talented yet completely unassuming–the lack of pretense in his approach is refreshing in this day and age when many artists think that since they can record their sounds and have a social media account that they and their music should somehow be magically famous.

Where they miss the point, Boggs totally gets it. He makes the music that he likes, keeps the songwriting tight and puts it all together in a cohesive package. The lack of posturing, irony and whining gets two big thumbs up from this old-school music lover; it’s what also makes me respect him as an artist and musician. The good ones never need to resort to millenial-esque self-infatuation, they realize that the product will either be good enough to stand on its own, or it won’t.

For those unfamiliar with WWP, Boggs is the singular musician behind the band, recording every part of the songs he writes himself. On Matter, Boggs brings indie rock and synth-pop sounds together neatly, hearkening back to a warm and gauzy 80’s feel that smartly pulls off sounding familiar and new at the same time. Not sure what I mean? Try this on for size: when Hollywood gets around to remaking the brat pack movies (Sixteen Candles, Breakfast Club, Pretty in Pink, etc), they need look no further than Matter for the soundtrack.

That’s not to say that the strength of this album is limited to pure nostalgia and throwback goodness. For those that like the lyrics in the music they enjoy to have meaning–true, real-life meaning, not insipid catchphrases that pander to the disengaged and simple-minded, Matter delivers strongly in that way. It’s not so much that Boggs weaves ornate tales or comes across too intellectually for some, but it’s the straightforward honesty in his lyrics that grab my attention and hold it there. There is something very refreshing about the reflective nature of the songs on Matter, which I wish more musicians would pay attention to. Truly no single song can solve the woes of our planet, but when real, honest lyrics cut through the mindless clutter surrounding our everyday lives to make us really think, that is when a musician becomes an artist. In my opinion, Boggs was already there with We Were Pirates. Matter just solidifies that feeling, and it makes me relieved to know that Boggs and We Were Pirates exist.

Give Matter a listen to hear what I am talking about. No need to give me credit when you feel these songs in your gut, wondering what personal tempests led Boggs to create them. They’ll make you pause and think, and the album is solid all throughout, cutting through the clutter and noise that make up so much new music to clearly stand out.

Get Matter for yourself:
iTunes: http://apple.co/1QuRrVH
Spotify: http://spoti.fi/219XSlV
Physical CD: http://bit.ly/1SlAEZP

Hari Vasan Premieres Lyric Video for “Silence Comes Easy”

Hari Vasan is a new artist that we just started working with. This song does well to showcase his sincerity, energy and the rocking side of his song writing. And that voice. Hari was meant to sing, that is obvious. More details about his upcoming self-titled EP coming soon, for now dig the lyric video: (please click through to Facebook, we’re having technical difficulties with the video embed feature.

Silence Comes Easy Lyric Video

It's here!! Here's the premiere of the first track of my self-titled EP! It's a lyric video for an original song called "Silence Comes Easy." Please listen and share! Details on how to hear the rest of the music will be announced later this week!! Also, make sure to watch in full screen and HD!!

Posted by Hari Vasan Music on Tuesday, February 16, 2016

Album Review: “In Pizza We Crust” by Gingerwolf

In Pizza We CrustThings are going to be much calmer than usual today. And for good reason, too.

Hello readers of SurfRhythm, Henry here, bringing another review for you to read. A little while ago, I received a request from a friend to check out another talent who has an album released. Thinking this was going to be what I usually hear at the local venues, I prepared myself for another review of good local work. But this was something far different than I have heard in a while. Even my tone as an author while writing my thoughts feels relaxed.

That something is the album “In Pizza We Crust” by Gingerwolf.

27 year old Thomas Beall, more popularly known as Gingerwolf to the music community, hails from outside Annapolis and is a regular in the local scene. Accompanied by his collection of quirky hats, and more importantly, his lap steel guitar, Thom takes influence from artists and groups like Pedro the Lion, Kaki King, Dismemberment Plan, Pearl Jam, Sixpence None the Richer, Deaf Scene, and compilations of traditional Hawaiian music. The culmination of his inspiration and talent flows through in his performances, and he truly does a good job in the niche that he has carved himself. In 2008, Thom started making music as The Triceratops, but changed to Cole Cash, and now appears as the artist on the album, Gingerwolf. Not a stranger to professional production either, he played on records by Sawmpcandy, Pompeii Graffiti, Kavoossi, Skribe, and Alexander Peters 2015, and the forthcoming solo debut from Jimi Davies of Jimmie’s Chicken Shack. Obviously a man about town, you can check Thom out every week at different venues.

Now that you know a little more about the man behind the wolf, here is the review:

Smooth ocean waves.

Honestly, I could just stop right there. Centered around lap steel and classified by the man behind the album as “Hawaiian space jazz,” “In Pizza We Crust,” is a fully instrumental album that puts off one of the more calming presences that I have ever reviewed for SR. Don’t let the comedic title fool you, this is a great album for both our surf-oriented friends and anyone looking to unplug and recharge. While the instrumentation changes throughout the different songs, the mood stays the same: like waves of lap steel centered around folk rock and a little bit of alternative style rhythm.

“Pizza” is very similar to a lot of the other local albums I have been able to check out, but not in the way that one would think. While it is sonically different from what I am used to, it brings both another great way to disconnect from the pop structures that dominate the airwaves, and another great local style to the forefront. Thanks to the lush soundscape, expert playing, and great production, this album brings the sensation of a tide taking over the senses and giving in to zone of relaxation with a folk based rhythmic background. While this is probably not something you would want to listen to in order to pump yourself up before the gym or a night at a dance club, this album was not made to do so. This is lap steel with moving instrumentation, and it succeeds in the delivering the sonic message that Thom wants to convey.

In short, this another successful album that adds to the many great local works available more readily than you could imagine. If you are a fan of music in general and for something not so in your face, I would check out “In Pizza We Crust” a try. Released in December of 2015, available on streaming music, and ready for a listen, I’m giving this a favorable review and definitely recommending it to our readers.

Thanks again for stopping by, and I hope you like it.

“In Pizza We Crust” Track Listing:

  1. I See You Still
  2. Lullaby
  3. Red Bracelets
  4. Broken Records Lose Their Meanings
  5. Chili, Sweet Monarch
  6. Chipper Jones
  7. Trilingual
  8. Showers Over Seattle

Thomas Beall – Weissenborn, Acoustic, Electric, and Steel Guitars, Bass, Drums, Percussion, Laser gun

Erin Snedecor – Cello

Rory Brennan – Drums

Aaron Lahey – Bass

Marcus Turner – Drums

Mark Mossey – Trumpet

Adam Narimatsu – Keys

Justin Cary – Double bass

“In Pizza We Crust” was produced by Thom Beall and Collin Dunn at Hudson St. Sound in Annapolis, mixed by Steve Wright at Wrightway Studios in Baltimore, MD, and mastered by TW Walsh in Boston, MA.

Check Out Thom’s Facebook Page for any and all updates on future performances and recordings.